Wednesday, 14 October 2015

'Nudo Dolente' by Modigliani - 1908

“There was a cult of what has been called ‘negative beauty’ in the early twentieth century.” – Carol Mann about Modigliani, Thames and Hudson publication,1980.

Nudo Dolente
‘Sore Nude’ by Modigliani (81×54 cm) – Richard Nathanson, London



Thursday, 8 October 2015

Auguste Rodin "The Burghers of Calais" - 1888


To Émile-Antoine Bourdelle, a friend and sculptor, Rodin writes:
"My liberation from academicism was created by Michelangelo."

academicism Michelangelo
Bronze sculpture which portrays a group of six people. It recalls a heroic action of a phase of the ‘Hundred Years War’ in Calais, 1347. Twelve casts were made.

Wednesday, 30 September 2015

'Family' by Henry Moore - 1935


Henry Moore's work has become in the course of the years increasingly abstract, but that was, as he himself said, "just because I believe that in this way I can represent the human psychological content of my work as directly and as intensely as possible." - source Taschen publication 2007 with Jeremy Lewison

Henry Moore

This semi-abstract sculpture in Elmwood made by Henry Moore, depicts a mother with child on her back (H 101,6 cm). Location: The Hennry Moore Foundation, Perry Green.

Moore wrote: 'There are universal shapes to which everybody is subconsciously conditioned and to which they can respond if their conscious control does not shut them off." 

Thursday, 24 September 2015

Robert Motherwell - 'Two Figures with Stripe' 1962

“In history of all art, there was never a movement hated as much as Abstract Expressionism.” - Robert Motherwell 

Robert Motherwell (American, 1915–1991) - Two Figures with Stripe, 1962
Acrylic on canvas - 54 × 72 in. (137.16 × 182.88 cm)
Gift of Friends of Art and the Dedalus Foundation, Inc. M1994.375
Photo credit: Zindman/Fremont - © Dedalus Foundation/Licensed by VAGA, New York, NY


"Banal realism = vulgar imitation of reality" - JM. Atlan 'Abstraction and Adventure in Contemporary Art', Paris 1950.

"Realism reflects reflects the productive intercourse between man and nature which is the basis of life (palaeolithic cave paintings)." - F. Klingender from 'Marxism and Modern Art, London 1943